AMS Music and Dance Study Group
AMS Music and Dance Study Group List
NAME
INSTITUTIONAL AFFILIATION
INTERESTS
Lisa Barg
Chris Bowen
UNC Chapel Hill
EDM, queer theory
Bruce Alan Brown
USC
18th c. ballet, pantomime, esp. Vienna
Julie Hedges Brown
Hans van Manen
Carlo Caballero
University of Colorado, Boulder
19th and early 20th c. pantomime and ballet
Davinia Caddy
U. of Auckland
Mary Channen Caldwell
Wichita State University
Medieval dance and native dance
Daniel Callahan
U. of Chicago
20th c. US modern, the music video
David Carson
Pina Bausch, ballet opera, tanztheater
Maja Cerar
Maribeth Clark
New College of Florida
ballet and opera, folk dance, American studies
Keith Clifton
Megan Varvir Coe
University of North Texas
modern dance, ballet, and opera at fin-de-siècle in France, figure of Salome, French literary and musical Symbolism, aesthetics and philosophy of music
Willa J. Collins
U. of Miami
19th c. French ballet.
Majel Connery
U. of Chicago
Susan Cook
U. of Wisconisn-Madison
Angharad Davis
Yale
dance genres in instrumental music, embodiment, medieval, renaissance, baroque dance, ballet, modernist ballet
David Day
BYU
Thêätre Royal de la Monnaie (catalogue)
Todd Decker
Washington University
Samuel Dorf
U. of Dayton
French Ballet, Isadora Duncan, Greek Dance, Reconstruction
Amy Dunning
Ballets Suédois, music and dance in 1920s Paris
Louis Epstein
St. Olaf College
Ballets Suédois, Soirées de Paris, Ballets Ida Rubinstein
Emily Erken
Russian area studies, ballet, contemporary ballet adaptations
Matilda Ann Butkas Ertz
University of Louisville
Italian ballet, 19th and 20th c. music and dance, embodiment, Baroque performance practice
Mark Everist
U. of Southampton
Annegret Fauser
University of North Carolina Chapel Hill
music and gesture; dance in nineteenth-century French opera; mid-twentieth-century American dance
Stephanie Frakes
vocal (cantabile) style in Chopin, ballroom dance music
Chantal Frankenbach
UC Davis
perceptions of dance in music criticism; Isadora Duncan
Beth Genné
U. of Michigan
Emilio Gonzalez
Boston Symphony Orchestra
Music for 20th cent. ballet and modern dance, postmodern dance and music, improvisation studies
Meredith Graham
Maureen Gupta
Ballets Russes -- Sleeping Princess
Sarah Gutsche-Miller
U. of Toronto
19th c. Ballet, music-hall ballet
Anita Hardman
Rebecca Harris-Warrick
Cornell
dance and opera, Baroque dance
Alixandra Haywood
Wayne Heisler
The College of New Jersey
dance and music, early-modern
Wendy Heller
Princeton
Ballet and modern dance set to Leider; Mahler "Ballets"
Karen Henson
Columbia
Sarah Hibberd
U. of Nottingham
Steven Huebner
McGill
late 19th/early 20th c. "archaic"/classical dance/ballet
Meredith Jurgens
American ballet, Balanchine, Martha Graham, Ballet Suédois
Judith Schwartz Karp
Northwestern, Emeritus
Yvonne Kendall
Renaissance dance -- Italy, Spain, France
Virginia Lamothe
Belmont U.
Renaissance, Baroque Dance, Wizard of Oz
Lena Leson
University of Michigan
20th century American and Russian ballet
Erica Levenson
theatrical dance in 18th c. London and France
Ralph Locke
Eastman
Marcus Macauley
Carol Marsh
UNC Greensboro, Emeritus
Baroque dance
Catherine Mayes
Brooke McCorkle
dance on film, dance and opera
Jonathan Meci
UC Berkeley
Helen Julia Minors
Matthew D. Morrison
Columbia
Simon Morrison
Princeton
Alana Murphy
CUNY Graduate Center
French Romantic Ballet, piano music
Jordan Musser
American popular song/dance
Devon Nelson
Dance in 16th and 17th c. England, historical dance treatises
Anna Nisnevich
U Pitt
Russian-Soviet ballet, film and politics
Judy Olson
Hungarian traditional music and dance
Jann Pasler
UCSD
Jessica Payette
Oakland University
20th c. diversification of ballet music (electronic, world, experimental, etc.)
Laura Prichard
UMass Lowell
Rose Pruiksma
U. of New Hampshire
7th and 18th c. French dance, ballet du cour, Mark Morris
Damjan Rakonjac
Jacques-Dalcroze, fin-de-siècle France
Julia Randel
Hope College
Stravinsky and Ballet, Ballets Russes in Spain
Sabina Ratner
Allison Robbins
University of Central Missouri
20th c. popular dance and tap
Tilden Russell
minuet, Gottfried Taubert, German dance theory in the early 18th c.
Sarah Fuchs Sampson
physical movement education, Delsartism, avant-garde dance in 19th-20th c.
Eric Schneeman
Stephanie Schroedter
Freie Universität, Berlin
French ballet and opera 17–19th century, interactions of music and dance in theatre and film 20/21th century
Scott Schumann
U. of Texas - Austin
20th c. ballet/modern, drum bugle calls
Judith Schwartz
Baroque Dance
Rebecca Schwartz-Bishir
19th and 20th c. ballet music and movement
Anne Searcy
Harvard University
Soviet and American ballet
Mary Simonson
Colgate
opera, dance, film - early 20th c. US
Rebecca Simpson-Litke
University of Georgia
salsa and latin dance
Mary Ann Smart
UC Berkeley
Annalise Smith
theatrical dance in 18th c. opera, esp. France
Marian Smith
U. of Oregon
19th c. opera and ballet, gesture, reconstruction, historiography
Lisa Snyder
Helena Spencer
U. of Oregon
19th c. French and Russian ballet
Larry Starr
U. of Washington
American Popular Dance and Pedagogy
James Steichen
Princeton
Jim Steincher
Robynn Stillwell
Georgetown
Leila Tayeb
Paula Telesco
UMass Lowell
all kinds of dance, ballet, ballroom and flamenco
Dana Terres
20th c. modern dance
Mia Tootill
Cornell
choreography set to 19th c. opera and ballet
Jo Ann Udovich
Rachana Vajjhala
UC Berkeley
French ballet
Carolyn Watts
American Culture and early 20th c. Ballet
Christopher Wells
Arizona State University
social and popular dance, jazz dance
Emily Winerock
Andrew Woolley
17th c/18th c. England
SUPPORTERS
Linda P. Austern
Northwestern
Lisa Barg
McGill
Lynn Garafola
Barnard/Columbia
Lydia Goehr
Columbia
Jacinthe Harbec
U. of Sherbrooke
Stephanie Jordan
U. of Roehampton
Knud Arne Jürgensen
senior researcher, dr. phil., The Theatre Museum, Copenhagen, Denmark
David Levin
U. of Chicago
Tamara Levitz
UCLA
Susan Manning
Northwestern
Deborah Mawer
Birmingham Conservatoire (UK)
Susan McClary
UCLA/Case Western Reserve
John McGinnis
SUNY Potsdam
Kiri Miller
Brown